thoughtsignals

Yesterday my copy of Justin Catanoso’s “My Cousin the Saint: A Search for Faith, Family and Miracles” arrived from Amazon. Normally, this is not the kind of book I would read. I happily left the Catholic Church a long time ago. But Justin is a former editor of mine, and I’ve read many of his previous pieces on his cousin, and more importantly heard stories first hand about the Saint and about how he wrote the book. I’ve only had time to read the very beginning, a miracle story that opens the book, but I found myself touched by the story and the writing.

I would have loved to have been at BookExpo in LA to see this panel with John Scalzi, Cory Doctorow, Patrick Nielsen Hayden and Markos Moulitsas Zuniga about building online communities.

Scalzi talked about his experience establishing himself as the “benevolent dictator” of the conversational community that grew up around his blog, which has evolved into a culture that is capable of entertaining itself even when he’s not around, like when he’s up against a book deadline. Keeping the readers informed of deadlines and other parts of the writing process, he added, had an unexpected effect: “The community is kicking my ass to not blog so they can get the books.”

There’s nothing on YouTube that comes up in a quick search, but maybe somebody will post something. In the meantime, more details over at GalleyCat.

Madeleine L’Engle is dead. Another great one passes.

Link.

Author Ray Bradbury says his landmark novel, “Fahrenheit 451,” is not about censorship.

Now, Bradbury has decided to make news about the writing of his iconographic work and what he really meant. Fahrenheit 451 is not, he says firmly, a story about government censorship. Nor was it a response to Senator Joseph McCarthy, whose investigations had already instilled fear and stifled the creativity of thousands.

This, despite the fact that reviews, critiques and essays over the decades say that is precisely what it is all about. Even Bradbury’s authorized biographer, Sam Weller, in The Bradbury Chronicles, refers to Fahrenheit 451 as a book about censorship.

Bradbury, a man living in the creative and industrial center of reality TV and one-hour dramas, says it is, in fact, a story about how television destroys interest in reading literature.

Link.

(via SF Signal)

Advertising Age’s Bob Garfield is writing a book online titled “Listen.”

Because it turns out that all those guys with the PowerPoint presentations you’ve been sitting through for the past three years – you know, the ones insisting “The consumer is in control” – are absolutely right. The consumer (and voter and citizen) is in control: of what and when she watches, of what and when she reads, of whether to pay any attention to you whatsover or to make your life a living hell. This might be an excellent time, therefore, to listen to what she has to say. And it sure wouldn’t hurt to make her your friend.

Introduction to the project here, first installment, and second installment.

The LA Times finally brings some sense to the nonsensical discussion about whether the end of newspaper book sections somehow heralds the end of books:

INDEED, more than at any time in the last 40 years, there is a bounty of news, features, criticism and gossip about books in newspapers, magazines and journals, blogs, radio and TV, podcasts and an ever-growing number of book clubs and festivals. It’s by all appearances a flourishing literary moment in a culture that traditionally values other forms of entertainment, and it raises the question: Why should two key elements of that mosaic, litbloggers and book reviewers, be trading shots at all?

Link.

Authors and book publishers are using quickly recorded audio books to whip up publicity for book sales, sometimes releasing the audio versions before the print version.

Because audiobooks are so fast, inexpensive and easy to record, the dynamic seems to be changing, with publishers looking to the audio format to fuel interest in paper books that aren’t quite ready for the printing press.

And with the ubiquity of iPods, that interest can be generated quickly: recordings need not be pressed onto CDs and packaged, but can quickly be uploaded to iTunes. Sometimes these recordings will be made with well-known authors whose next release isn’t quite ready for bookstores, and other times with newcomers like Ms. Fogarty whose work has gained a following another way.

Ms. Fogarty said that when she was first contacted by Ms. Winfrey’s show, she thought, “I’m going on ‘Oprah.’ Gosh, I wish my book were done.”

Fogarty is the source of the online Grammar Girl podcasts, which can be found here. Two fairly obvious observations about this:

1. Technology changes everything.

2. It’s a good thing that publishers are focused on marketing, rather than on silly things like whining about the disappearance of newspaper book sections.

Link.